Someone else's choice doesn't change who you are.
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Sometimes the point is to be sad, August. Sometimes you just have to feel it because it deserves to be felt.
Of course I love you. I could go back in time and have a whole life and get old and never see you again, and you would still be it. You were— you are the love of my life.
But, you know, that feeling? When you wake up in the morning and you have somebody to think about? Somewhere for hope to go? It's good. Even when it's bad, it's good.
The older she's gotten, the more she prefers thinking of love as a hobby for other people, like rock climbing or knitting. Fine, enviable even, but she doesn't feel like investing in the equipment.
When you spend your whole life alone, it's incredibly appealing to move somewhere big enough to get lost in. Where being alone looks like a choice.
Big dick energy is gender-neutral.
I fell in love with you the day that I met you, and then I fell in love with the person you remembered you are. I got to fall in love with you twice. That's— that's magic. You're the first thing I've believed in since— since I don't even remember, okay, you're— you're movies and destiny and every stupid, impossible thing, and it's not because of the f*cking train, it's because of you. It's because you fight and you care and you're always kind but never easy, and you won't let anything take that away from you. You're my hero, Jane. I don't care if you think you're not one. You are.
Jane is spun sugar. A switchblade girl with a cotton-candy heart.
Walk until the darkness is a memory, and you become the sun on the next traveler's horizon.
Kobe Bryant in Training Camp
1Humans had always been better at killing than any other living thing.
Dmitry Glukhovsky in Metro - 2033
"And what if there's nothing in there?"
"You die and there's nothing beyond that. Nothing. Nothing remains. Someone might remember you for a little while after but not for long."
"You die and there's nothing beyond that. Nothing. Nothing remains. Someone might remember you for a little while after but not for long."
Dmitry Glukhovsky in Metro - 2033
There's only one thing that can save a man from madness and that's uncertainty.
Dmitry Glukhovsky in Metro - 2033
The number of places in paradise is limited; only in hell is entry open to all.
Dmitry Glukhovsky in Metro - 2033
Do you know the parable about the frog in the cream? Two frogs landed in a pail of cream. One, thinking rationally, understood straight away that there was no point in resistance and that you can't deceive destiny. But then what if there's an afterlife – why bother jumping around, entertaining false hopes in vain? He crossed his legs and sank to the bottom. The second, the fool, was probably an atheist. And she started to flop around. It would seem that she had no reason to flail about if everything was predestined. But she flopped around and flopped around anyway . . . Meanwhile, the cream turned to butter. And she crawled out. We honour the memory of this second frog's friend, eternally damned for the sake of progress and rational thought.
Dmitry Glukhovsky in Metro - 2033
There are some things that you don't want to do and you pledge to yourself that you won't do, you forbid yourself, and then suddenly they happen all by themselves. You don't even have time to think about them, and they don't make it to the cognitive centres of the brain: they just happen and that's it, and you're left just watching yourself with surprise, and convincing yourself that it wasn't your fault, it just happened all by itself.
Dmitry Glukhovsky in Metro - 2033