One thing that really appeals to me is this idea of music being a living thing that has an evolution that, in a way, enables the artist to sell a process rather than a piece of product.
I think another thing is that we don't really want exclusivity. We accept that it is in the artist's interest to be on sale in every place where they sell music.
I think one of the things about writing in the studio is that the song hasn't matured, if you like, so quite often the vocals are early attempts. Whereas once you've taken it out on the road a bit, you learn more about a song.
The industry does have some influence on who gets other awards. With the Mercury Prize, they don't. Jon comes from the business, but his heart is still very much in the music. Currently, we have about 12 major names that have said they want to be a part of MUDDA.
I think that you get the mood of a song stronger if you get it right that way. On the other hand, you put some songs out live and they don't catch flight. They just flop. It is hard to tell until they are out there.
Quotes about Peter Gabriel
I believe we have a choice in this world about how to tell sad stories. On the one hand, you can sugarcoat it the way they do in movies and romance novels, where beautiful people learn beautiful lessons, where nothing is too messed up that can't be fixed with an apology and a Peter Gabriel song. I like that version as much as the next girl, believe me. It's just not the truth. This is the truth. Sorry.
Hazel Grace in The Fault in Our Stars14